. . . or “Oh yeah, this is my favorite album.” So I was listening to
…And Justice for All on my way back to work this afternoon, and as the title track dropped into that crunching post-solo grind I thought to myself, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” But then I had a series of flashbacks: me, listening to the amazing solo work of the title track to
Ride the Lightning and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to the down-tuned clean riffage in
The Unnamed Feeling (
St. Anger) and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to the ominous riff to
Kill ‘em All’s
Seek and Destroy and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to the first minute of
The Prince off
Garage, Inc. and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to the funky, yet moving, introduction to
Fixxxer from
Reload and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to the deft slide work on
Mama Said from
Load and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE,” (except for
Ain’t My B**** and
2X4, which I despise). Me, listening to the incredible live opening to
-Human from
S&M and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE,” (again, not really, because I think it is overkill, but the new songs that were actually designed for Symphony and Metallica are lovely). Me, listening to the tremolo soaked rhythm part in
Welcome Home (Sanitarium) from
Master of Puppets and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” Me, listening to Kirks solo on
Don’t Tread on Me (
Black Album) and thinking, “Self, this has got to be the greatest album Metallica ever did. IT’S MY FAVORITE.” I could have just as easily used the descending melody in
Astronomy, or the harminized solo from
Nothing Else Matters (which really did nothing for me until I saw them perform it live once), or the monster riffage from
For Whom the Bell Tolls, the incredible intro to
Devil's Dance, or the non-stop assault of
Disposable Heroes (all 8:16 of it).
I’m guessing that you can see the trend. I don’t think I am alone in this. I think it is a problem for Metallica fans worldwide. What is a rarely-stop rocker to do though? For now I think I will just set my computer to play all the Metallica in its library. And if you decide to do the same, then Right On. Er, Write On. Even so.
R.